This work was born with the intention of bringing together in a single entertaining musical show, a range of musicians of different ages and technical level, both vocal and instrumental.

 The barrier that separates the great performer from the audience, students from  teacher, with the purpose of approaching them, to merge them into  the same adventure, comes down with this work.

 The fairy tale by Andersen, "The Queen of the Snow", seemed to me ideal for this experiment, since it is a story about growth and maturation, which could have synthetically reflected the technical evolution of the musician, his musical maturation, from the first steps up to the most advanced professional goals.

 The fairy tale is here  told to the public as already experienced by the protagonists, and symbolically narrates the passage from childhood to adolescence through research as a mirror of  maturation.

 The execution of this work involves the cooperation of intentionally and clearly distinct but cohesive vocal and instrumental technical levels: from the preparatory (Atmospheric elements with  Orff instruments and space  movements ) to the solo performer

( 4-handed piano in second half ), without neglecting the first positions of 1 and 2 violinsts, to solo violinist, or from the choir of white voices to the solo singers.